Modern Identifier lp_ludus-tonalis_paul-hindemith-kbi-laretei Identifier-ark ark:/13960/t5p94w71c Lineage Technics SL1200MK5 Turntable + Audio-Technica AT95e cartridge > Radio Design Labs EZ-PH1 phono preamp > Focusrite Scarlett 2i2 Ocr tesseract 5.0.0-1-g862e Ocr_detected_lang en Ocr_detected_lang_conf 1.0000 Ocr_detected_script Latin Ocr_detected_script_conf 0.4281 Ocr_module_version 0.0.14 Ocr_parameters -l eng Original-ppi 1200 Pages 4 Pdf_module_version 0.0.17 Ppi 600 Ripping_date 20210530225936 Ripping_operator Ripping_scanner archivelp-rip-cebu13 Ripping_software_version ArchiveCD Version 2.2.53lp Ripping_time 4995 Scandate 20210416100253 Scanner archivelp-cat-cebu01 Scanningcenter cebu Software_version ArchiveCD Version 2.2. While Berezovsky doesnt quite convince that Ludus tonalis embodies the white heat of inspiration from beginning to end, he comes as close as any pianist could, or should. My only half-quibble concerns the pianist’s rather typewriterish flattening out of the Ragtime finale’s syncopations that John McCabe treats more idiomatically. The hour-long piano cycle itself, finds refuge from conflict in the reassertion of the time-honoured value of counterpoint, comprising twelve fugues and interludes framed by a prelude and its mirror image as a postlude. The rhythms of 1920s jazz and gray, gnarly Teutonic dissonances collide in the Suite 1922, which Berezovsky’s fingers relish with glee.
Adaptive_ocr true Addeddate 23:06:03 Betterpdf true Bookreader-defaults mode/1up Boxid IA1198012 Catalog_time 192 Country US Derive_submittime 13:57:02 Disccount 1 External-identifier Hindemith wrote ‘Ludus tonalis’ in 1942 while staying in the US as a refugee from Nazi Germany. lpludus-tonalispaul-hindemith-kbi-laretei0 Identifier-ark ark:/13960/s24jnz91651 Lineage Technics SL1200MK5 Turntable + Audio-Technica AT95e cartridge > Radio Design Labs EZ-PH1 phono preamp > Focusrite Scarlett 2i2 Ocr tesseract 5.0.0-rc2-1-gf788 Ocrdetectedlang en Ocrdetectedlangconf 1.0000 Ocrdetectedscript Greek Ocrdetected.
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